Showing related tags and posts accross the entire site.
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Hello All! Let me lay out my situation. Looking to talk through the available options with some experts! I am currently re-editing all nine seasons of a television series that began shooting/editing/airing in the early 2000's. We were fairly good at archiving the projects and media, but as you can...
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Hi guys, a have a pulldown question before starting my new project. I'm cutting a Doc for broadcasting and also for a festival. Footage is 2.5k raw and B cam 1080 @ 23.976. Poject delivery HD. (AMC 8.3 - Windows 7) I'll do a roundtrip from davinci to avid. Question is, can I do the entire project...
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FYI, animation studios will usually work at 24fps, mainly 1. Because animators are thought to work at 24fps... (walkcycle, expressions, etc.) and as you may know depending on the animation need, an animator can do around 2-4 seconds per week, so imaging having to work @ 30fps.. that would mean animating...
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Hi All, I recently encountered a problem that may be familiar to some of you. Our situation: we had an image sequence (PNG) rendered from After Effects. The correct playback rate of the image sequence is 23.976 FPS. However, we wanted to import this image sequence into a 1080i/59.94 Avid project. Our...
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Hello all. We just had a project walk in the door and the client wants the air master to be 1080i59.94, but as a secondary deliverable for archives they also want 1080p23.98. Under ordinary circumstances, this wouldn't be a problem. Edit in 1080p23.98 and down a pull-up when we're all done. However...
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Just a quick question. Every since we updated to avid 6.5 from 5.5 we have notice a glitch in our work flow. When Digitizing DCVpro HD 23.98 (24 over 60) into a 23.98 offline project at 14 to 1, Any clip that does not start on the A frame has to get redigitized because Avid doesn't get the cadence...
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My production team is taping xdcam disc at 24P. But my post team wants to edit offline at 29.97 15:1 NTSC. My questions is this: If the Sony 1600 deck applies pulldown on the original 24P material and makes new 29.97 NTSC footage, when I decomp and go to batch capture, how does the deck recapture the...
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Hello. I'm trying to establish our post workflow for a reality show, but I'm stuck right now troubleshooting and trying to work through the first set of dailies. Production is shooting with: - Sony F800 at 1080/23.976p and 48 fps for slow motion. - Canon 5D Mark III shooting at 1080/23.976p and...
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I shot with the Sony F3 and linked the footaged AMA within a 23.97 project. Some of the footage was shot at 29.97 in hope to smooth out the walking handheld shots. I have transcoded these and I have terrible frame blending. Was there a better way to transcode this footage to receive a better end result...
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Ok. A 19 second clip took over 13 minutes to render in order to play back fairly well!! Will I have to duplicate this for each and every clip I import into the timeline?????? Is there any way I can import or transcode files as they enter the application so that they appear as 24p files on ingest? Settings...