Hello Jef! I chose to export to a folder. Still, I would like know more about exporting to a media drive (advantagens/disadvantages) and if I can export to logical drive (volume, partition, image disc (DMG, ISO,...) and the workflow. Can you help me out?

Thank you very much for the tip, Jef! The export to AAF was successful! One more question: when imprting the AAF file into Media Composer, how exactly will I handle the media files? Do I drop them in the existing Avid MediaFiles folder, or is there another procedure?

Hello! First and foremost, I hope that this message finds you and your loved ones welll and healthy! Now, I began editing sequences in UHD and 1080p format, with mixed resolution and encoded media shot in both formats, in the timeline, using the respective DNxHR SQ and DNxHD 120 codecs. All the editing...

Hi all, Have a 1080p/23.98 fps project, matching the format of most of the footage, and am considering how best to handle the odd framerated footage--especially a good amount of SD/29.97 fps. Most every post/blog/article/MC guide/white paper I've found so far either simply states "make sure...

I have read elswhere here that to get 30fps to play smoothly in a 25 project you create the project in the delivery frame rate, create another project in 29.97fps import into that, then open this bin in the delivery project to insert the rushes. Avid then automatically applies a timewarp effect to the...

Hi all, I'm working in a 1080p 23.976 project that has a good amount of 4x3 29.97 archival footage from the early 90's. The issue I'm having is, when the 4x3 footage was captured from tape, the 4x3 footage became stretched to fill the 16x9 raster (no pillarbox). In order to avoid looking...

Hi nsitka, i am having the exact same problem. Music Video wirth more than 100 Shoots at different speeds (50,25,18). I run out of tracks for syncing. so i multigroup, but as in some producions. the sync is not consitent. Some are at the beginning , some are at the end. it definitely would be greate...

I produce tv comercials using video from all types of sources, but mostly NTSC 16:9 analog Betacam tape and HD 16:9 from a JVC HM700U. The end product has to be on NTSC Betacam analog tape. Am I best to transcode up the SD and work in an HD project or down transcode the HD and work in an SD project?...