Showing related tags and posts accross the entire site.
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Has anyone captured dual link material with DNxIO succesfully? I am unable to capture 444 HDCAMSR source material using DNxIO box. I see only primary (A) channel displayed on the preview monitor, without complimentary (B) channel colour info. When trying to capture anyway, MC produces an error ("no...
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Running Avid 8.8.1. Have a project that needs updating that was created with my 6.5 version prior to upgrading last year. It's a computer animation with a full white background. Upon importing the updated clip, the whites are at 601, or a bit grey. Need them to be RGB. I remember going through this...
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Can Avid do this? When I try to selet the data track in the capture tool it un-selects itself. If I force it to batch capture with a data track the data track does not come across. When I select the track (with the media offline) Avid give me this error: Cannot monitor data due to the following: Color...
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Hi Ralph, UPDATE: I was contacted by support who were able to confirm that an I/O device needs to be connected (even if it's only a 10-bit box), for the 12-bit RGB option to appear in the format tab. I was unable to do this with my MXO2, since there are no drivers for El Capitan. (Yosemite is the...
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Gidday all, I've been doing some testing of our delivery workflow this weekend (life?) and have made a rather alarming but not-quite-believable discovery. Sorenson Squeeze (we have v10 Pro) appears to be quite incorrectly assuming that all our DNXHR masters are RGB levels, when of course they are...
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Hello! In media composer 8.3 there is a new feature that allow me to finally display colors properly in my monitors. I choose Display Color Space -> Rec 709 [Full range] and just like magic, I can finally see my correct RGB levels that I want to use all the way from filming in my AF100 camera to export...
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I have never seen any difference betqween 601/709 and RGB when using Same as Source. I think SAS means what it says and the levels come out as they are in the edit. Just tested again here. Both the same. I think that the RGB and 601/709 should be greyed out in the Export window when choosing SAS. They...
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I'm trying to fully wrap my head around the "flow" of what happens with the color space when I AMA link to mov files that were created using the DNxHD codec in TMPGEnc. What I'm seeing is confusing me a bit. I'm creating DNxHD mov files (1080p 23.976 175x) from image sequences,...
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Hi Raas, Higher than HD resolution is not supported in MC 7, forthcoming releases will support UHD. While I do not have experience with the exact model of display that you are looking into you should consider the following. Video modes supported by the display and modes that you will need to monitor...
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Usually I export DNxHD 185x from Avid and I always use Color Level RGB since i find that is the best way to get it in and out of After Effects, Nuke and Resolve and for compression in Squeeze. But today I was unsure if the producer had any Avid codecs installed on his computer so I exported a Quicktime...