Thanks, yes, I know those can be done with Avid. Actually, the boom I had it removed with avid, but as I'm learning to use AE aswell, I wanted to try with it. So... I should let the interpret footage options as default?

Hi, thanks for the info. So, ok, I seem to be on the right track. About the interpret footage, when you say "interpret as uppr fields first" that's in the "Fields and Pulldown" menu, under the "sparate fields" tab, wich is by default "Off", there I should put "Upper fields first", right? How about

Hi again, I'm reaching the end of my first project (thanks to the amazing help I've got from this forum). I already exported my sequence into After Effects for color correction, but as this is my first time, I'm not sure if I'm doing everything correctly. Maybe some of you can check out my workflow and tell me if there's something

Oh... ok. I'll have to make some workaround like that... although I cannot add locators or markers that way. But it'll have to do. A shame though. Many thanks for your quick response. bye

Hello. That's my question. Can it be done? Actually what I needed it for was to try some sound clips that have a series of different sounds within those clips, and I needed to see wich ones work better on my sequence. So I wanted to leave the sequence in a constant playback, like the play in-to-out option, but WHILE I listen to the differents sounds

Hi, I tried searching for this, but I'm not entirely sure how to name what I'm looking for. This is my situation. I have a sequence with 12 audio tracks and a couple of video tracks. I set a workspace to work with audio, by having the audio tracks enlarged. This way, I only can see like 3 or 4 tracks at the time in the timeline, without having

That seems very useful. I'll start looking info on the workspaces. I hadn't had a change to get to it yet. Thank you again Larry.

Yes, I'm beggining to see the great possibilities of working that way. I already started setting my own workspaces. Thank you all again.

Thank you both. Kenton, I knew that way of working, but the idea was not having to manually enlarge and reduce the size of the tracks, and being able to have the selected clip bigger with one keystroke (like toggle source/record in timeline allows for clips in the source monitor). I', new to this so I had ignored the different toolsets configurations

Hello again avid community. I've been trying to found out if something like this exists: when you've got a clip in the Source Monitor, you can use the Toggle Source/Record in timeline. This is useful to viewing in detail the clip in the source monitor, and specially useful for working with audio, waveforms, and keyframes. So with the toggle