So You think that Adobe and BM with their simple and clear pricing, that is one fee for the full product, don't know their way around? Please do not make my work unnecessarily overcomplicate with crazy main software and optional licenses management, please, please, please. I have to spend my time cutting, not getting mad after mantaining licenses

I've dropped my perpetuals, but I'm not giving up on MC, what I was trying to say is that the company is pushing me hard to run away from their products, kind of weird, ain't it? I'm on Avid since day zero, not even day one, the company has a very long story of squeezing money out of the customers giving them very little in turn. As

Wow, I was expecting to read about the pros and cons of MC 2022.12... [quote user="camoscato"]I like having docked bins, tabbed bins, and workspaces set up for different screen setups and different workflows.[/quote] Try this: CTRL-f and search for an existing clip, double click it, if the bin's clip is not already open it will open as

If You're at picture lock You can 'commit multicam edit' and do Your frameflex things. Awfully orrendous tool by the way.

Forget and forgive me for the OTish question... [quote user="Glenn Sakatch"]The only thing you may do to bugger things up in Avid is have it convert the frame rate. This could present issues, but even at that I find Avid is very good at tracking the proper data.[/quote] Could You please give more information? I linked 50p footage into a 25i

Is AfterEffects running off a recent Mac? If yes I'm not surprised, Apple only want You to use ProRes, they're killing support for other file formats.

Hiya to You too! And welcome to the forums. I can see that recent MC releases have the bad habit of not drag and drop importing stuff without even spitting out an error message as to why that is happening. I thought that was mostly on Mac, but I was wrong. Use the source browser instead of drag and drop, either for link and transcode or import. If MC

AMD used to be trouboesome with MC, don't know if this still holds true, since I see many forum members with AMD systems in their signature. In order to save the most money study an Avid certified system and build a box with the same chipset, CPU, and GPU. Or get a refurbished HP workstation.

Well the workflow is different if the footage was linked or linked and transcoded. Please answer Carl's questions.

After clicking on a given clip on the timeline with the red arrow, do You hit the select in/out keyboard key? Also try CTRL-ALT-C, wich will load the selection in the player monitor, so that You can double check that the copy operation went well.