[quote user="Mercer"]So you are capturing to BM's Media Express, Andrew?[/quote]No. From a VHS or DV/HDV or Umatic HiBandSP or Beta SP or HDCAM into my BM Hyperdeck. This unit has 2 mounting slots for portable SSD drives and 2 high speed card slots. If I choose to deinterlace and or scale. (SD 4:3 to double size with sidebars and output

[quote user="Mercer"]Why the need to capture in Resolve?[/quote]There is no NEED! The process described was to avoid linking into MC and the possible issues that has been causing Roger. My preferred choice , if I have to capture, is capture is directly to a hard drive or media card in the BM Hyperdeck. I "Link" this into a Resolve

[quote user="Roger Shufflebottom"] I know this is a niche interest but I imagine there is a lot of archive SD footage out there.[/quote] FWIW I have found the following to work for me as I have a ton of archive footage and masters here dating back to well before DV was thought of. My current core belief is that Media input management is best

Hi Steve, Is your footage interlace or progressive? I would guess there is a remote possibility that if it is interlace you may be getting a upper and lower field order disturbance. Somewhere in MC settings there always was a ensure 8 field comparability option that may help. Sorry I no current Title Tool experience to help you with as I gave up using

[quote user="marluc"]should these SD files be imported as DV25 411 or as Pro Res?[/quote]For about 20 years I would record any really old VHS tapes and Umatic tapes to to a DV deck using the composite input. More recently SVHS out to a HDV deck. Then capture from that DV deck originally via Firewire to DV format and later SDI to SD MXF. Sony

[quote user="jadaraye"]What can I do to open this installation[/quote] With PC's sometimes it is best to click open on the download zip file and scroll down in there to the install.exe . Then start the install from there. As Carl says for best ProTools advice join the forum for audio products here: https://duc.avid.com/

[quote user="ADG"]I can't seem to 'enable' the HW/SW button. [/quote]You could try using the Command palette and map a keyboard shortcut for the HW/SW Button function. Has worked well here with a couple of BM Intensity Pro 4k. Looking at one of my systems showed me that I need to right click on the HW/SW button to get an option

[quote user="wmcole"]This dialog needs to be updated so that the same functionality applies to the ALT and CTRL keys.[/quote]Have you looked in the MC Help menu with a project open? It looks like there are quite few Alt and Ctrl options there under shortcut options using CTRl key and Alt Keys. I only recently came across these whilst looking

[quote user="Bacskai Brigitta"] I transcoded the higher res files in DaVinci, same file name, same tape name as the original but Avid won't relink the new ones.[/quote] When you delivered from Resolve did you use Resolve's Avid template. Set the deliver template to export as individual clips and the file destination path to a currently

I was going to suggest DVD-lab Pro 2.5 as it is still available and still works here after a couple of Decades. However checking just now shows it is Windows only. Nero burning ROM and Platinum suites are still available for both Mac and PC and could be worth a look. I have only used it for encoding and decoding as I have existing well established workflows