Business as usual for Avid I see - ignore the user base and carry on regardless.

[quote user="cuervo"] May I suggest that any device that can record and present DNxHR or Prores, is the answer to your question. There are many cameras that record in these codecs; and, even more external recorders that can record in these codecs. Some examples are: 1- Convergent Design odyssey 2- Atomos Flame or Inferno 3- Black magic design

Oh and what Pat said to move sync audio and video together but I assumed the problem was more complex than that.

[quote user="dew"] so I have a sequence and I wanted to rearrange some clips. I have the extract yelllow arrow highlighted on the smart tool, I grabbed a clip from the end of the sequence and brought it into the middle of the seqeunce. With sync locked on my tracks, my thinking was that everything to the left of the moved clip should have

[quote user="carlgmi"] what I refer to is the choppy playback, the delay as it refreshes media in a project every time you open it, the frequent "... stopped responding" (freq compared to Avid) software glitches, the problems with video drivers. The "interesting" glitches when using NewBlue titler that dont manifest in

[quote user="stefanocps"] and what about final export with compression for h264. there are few settings i need it for vimeo now [/quote] I'd go with the recommended templates - In AME that's VBr 1 pass @ 16Mb/s for 1080P

[quote user="stefanocps"] Also what mxf transcoding rate would you suggest? original files are 1920x1080 50p 50mbs project is 1920x1080 25p dnx120 is enough? [/quote] Well i woud never record at 50P unless I was planning to slo-mo the footage later. If your final project rate is 25P it will look better if you shoot at 25P (well its a subjective

[quote user="carlgmi"]But... just finished cutting on CC2017 and I'll tkae Avid anyday, smoother, reliable - even with the clunks and old features (like wow the colour correction in CC)[/quote] Interesting comments - you're sure that just isn't down to the fact that you're more familiar with MC? I've been cutting on PPCC

[quote user="stefanocps"] at the end result are similar, the two options for the final storage have both pros and cons what would you suggest? [/quote] It depends on what you are trying to achieve. There are basically two different workflows and different sub-workflows. Remember both the workflows below rely on archiving the original Avid

[quote user="Ninanina"] it could offer a better technic options inside avid (resync with one frame or 1/4 frame, for each cam ;[/quote] As long as you understand you can't move video by a quarter of a frame :) Avid could do what Adobe has done and implement audio time into the sequence editor so you can nudge audio dow to the sample..